I just saw these before and afters on the Facebook page, "I'm Fed Up With Ugly Churches" (My comments following the photos):
Oddly enough, I was a big part of the first renovation that began with a process dating to about 1979. I arrived as a newly ordained assistant pastor in 1980 and work began in 1981 with a change of pastors as the work began with the pastor who initiated this leaving a full two months before the pastor who inherited this came. It is Saint Teresa of Avila in Albany, Ga. Rambusch and Company was selected by the then pastor to guide the committee in making decisions. The stained glass windows above the altar while confusing, were designed and executed by Father Methodius of the Monastery of the Holy Spirit in Conyers, GA. These were made of exquisite glass and brilliant colors and had symbolic meaning. But these were not well received but certainly a vast improvement over what had been there which were fiberglass windows with circular wood chips embedded in it with a gold color. I hope the colorful windows were preserved in another forum on church property. They were quite expensive, a controversial work of art, but art nonetheless and a donated gift.
My greatest save, though, is the crucifix which was original to the church which was completed in 1958. Rambusch wanted it removed and a resurrection image of Christ to replace it. I convinced the committee to reject that!
To be honest with you, I loved and still love the screen behind the altar for the tabernacle. The tabernacle is behind the sliding gold doors which we kept closed for Mass but open when Mass was not in progress which was the majority of the time. The tabernacle, not photographed, was quite beautiful and could be opened on either the front or the other side and there were chairs behind the screen for a more intimate experience of praying before the tabernacle.
While the old altar from a convent is quite beautiful, I think the original screen designed by rambusch and costing about $20,000 (1980 dolloars to include the tabernacle) complimented the architecture of the church.
Prior to this renovation, the tabernacle had been placed on a side altar and the priest's chair was directly behind the altar. I thought the screen with the sliding golden doors was a marvelous solution to hiding the tabernacle during Mass but exposing it otherwise given the ethos of the 1980's to rid the tabernacle altogether from the nave of the Church or have it shunted to the side.